Review: 438 Days: An Extraordinary True Story of Survival at Sea

I think this is a much better book than my rating gives it credit for. There’s always something intensely subjective about a review, something that often has nothing to do with the quality of the text itself, that goes into the final “what do I rate this” decision. It could be the reader’s mood that particular day, it could be the juxtaposition of what else the reader is working on at the time, or it could be the phase of the moon or Saturn being in retrograde, or whatever.

I know that I personally tend to read in cycles, where I’ll focus on a particular topic or subject at a time, read through a few books, then move on to the next one. I haven’t really been in a survival story mood lately, which begs the question: is that my fault or the books? I leave it to you to decide.

Regardless, there’s a lot to like here. Franklin has an excellent writing style and keeps a firm grip on the direction of the narrative (ironically the opposite of how survivor Alvarenga’s boat drifts aimlessly across the ocean). There’s nothing worse in a nonfiction adventure story than an author who insists on inserting him or herself into the text, which can work if it’s done well . . . but it’s usually not done well. Franklin has a style like a good investigative journalist, interested in getting the facts and the truth as much as possible, but without editorializing on the subject.

My biggest problem with the story comes from the fact that one’s world becomes very, very small when one is adrift at sea. This is a huge revelation, I know, so bear with me. There are plenty of details to keep things go; tropical storms, whale sharks, water spouts, and the perpetual struggle to survive, but at some point when you’re adrift, the cycle settles in: food, water, fatigue, despair, sunburn. At some point, we’ve gotten through the fact that you have to eat some pretty disgusting things to survive and it’s hard to keep your hopes up.

Overall, if you’re hungry (heh) for a good survival at sea story, I think this book will deliver on exactly what you’re looking for. Or if you want to meditate on “how much worse can it get” for a person struggling to survive, this book is for you. If you’re not a survival story kind of reader, though, I think you can drift on.

Review: Exit Right: The People Who Left the Left and Reshaped the American Century

Exit Right: The People Who Left the Left and Reshaped the American CenturyExit Right: The People Who Left the Left and Reshaped the American Century by Daniel Oppenheimer
My rating: 4 of 5 stars

I picked up this book largely due to the chapter on Christopher Hitchens, who has long been a writer I’ve admired (his support for the Iraq War notwithstanding). I was very interested in seeing a neutral perspective on Hitchens, since I already have read at length what Hitchens himself said about that decision.

Before we get to the Hitch, however, we move through history as we explore the political careers of several other Leftists who ultimately, well, left. On the first few chapters, I am more ambivalent; these stories are likely going to be of more interest to those who are familiar with the men in question. I myself had only the vaguest recollection of who Whittaker Chambers and James Burnham was (before going to look it up on Google).

Although it was likely not the author’s original intention, what struck me as most interesting about the chapters on very early Leftists like Chambers and Burnham was the stark reminder of the history of the Left. It’s so very easy in political history to assume that the arrangement that exists today is equivalent to what came before; the Left is liberal, the Right is conservative, end of story.

But we forget that the political Left went through a long history with competing ideologies and that the social liberalism that brought me to the Left once struggled for intellectual oxygen against communism. These days, the idea that “Lefties are all commies” is basically a dead horse trope, a political joke that’s amusing irrelevant. So irrelevant, in fact, that it’s easy to forget that it used to be true. But I digress.

The most interesting chapters were on Norman Podhoretz, Ronald Reagan, and the Hitch. Podhoretz isn’t someone I was familiar with, but his story is so fascinating in its self-destruction that you can enjoy it entirely on its own merits. The ill-advised publication of the book that led to his public humiliation and ostracization doesn’t need you to be political to relate to what is basically a very human story. Especially when you consider how many people tried to warn him about what he was doing.

I list Reagan and Hitchens as the other highlights of the book as these were the individuals who were most relevant to me personally, since Reagan continues to cast a long shadow over the political landscape even today and I’ve read most of Hitchens’ books. It’s also interesting to contrast Reagan with the other figures of this book, as he’s the only one who isn’t described as an academic or intellectual. His story is a different one and at the end of it, I wonder what would have happened had he never been shifted to the right (although such a shift seems inevitable, given his personality).

Finally, we come to Hitchens. It’s unfortunate that Hitchens is one of the shorter chapters, because this was what I most wanted to read about. While author Daniel Oppenheimer generally takes a fairly neutral tone throughout the book, never allowing his own politics to color his prose, he describes Hitchens in particular as having fallen as a result of his rightward drift. Not because Left = Good and Right = Bad, but because the decision to double down on the Iraq War ultimately seemed to demolish Hitchens’ own vitality when the war effort began to unravel. Oppenheimer describes Hitchens’ best work as having come before the Hitch left the Left, which I would agree with.

It should go without saying that this book is for those with more than a passing interest in political history and thought. But for readers of that persuasion, it’s a fine read. It’s particularly refreshing in its balance and even tone, neither sanctifying nor demonizing of Left or Right. That’s something that’s increasingly rare in modern political thought (unfortunately, and yes, I hold myself as having failed this standard). If you’re interested in the topic, even a little, this book gets a solid recommendation.

Finally, I’d like to note that although it’s only described in the foreward and postscript, Oppenheimer’s thoughts on the nature of political allegiance and ideology were especially important to me. More and more, I’ve fretted about how people on “my side” can hold what I feel to be profoundly stupid ideas; most anti-vaxxers are on the Left rather than the Right, for instance. How can people who hold compatible ideas to my own be so misguided about other things, I would ask myself?

Oppenheimer reminded me that Left is a broad category and that many competing ideologies fall under its umbrella. He describes the Left and the Right as suits that don’t entirely fit right; maybe they bunch in the shoulders or have sleeves that are a little too short. But we pick the one that fits the best and ignore the little ways it doesn’t fit. Oppenheimer offers his book up as a challenge “to wrestle with the ways in which his or her own political suit might strain at the shoulders a bit more than is comfortable to admit.” And while it’s incredibly unlikely that I’ll be leaving the Left any time soon (if ever), this book helped sharpen my perspective.

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Review: Rise of the Tomb Raider: The Official Art Book

Rise of the Tomb Raider: The Official Art BookRise of the Tomb Raider: The Official Art Book by Andy McVittie
My rating: 4 of 5 stars

This absolutely beautiful book managed to make me feel surprisingly guilty.

I loved Rise of the Tomb Raider; it’s a worthy sequel to the 2013 Tomb Raider reboot (which I also loved). This book is, as you might expect, a collection of concept art and design documents that led to the creation of the game’s characters and environments.

The reason why this beautiful book made me feel so guilty is because it shows you just how much care and detail went into the environments and backgrounds that I cruised through as I jumped from one ledge to another on my way through the game. I love the Tomb Raider games and I get totally immersed in the world when I play . . . and yet I never spare more than a passing glance at the lovingly crafted ruins, relics, and other pieces that artists worked to create. There’s a page about a few chalices and other Byzantine relics that talks about how much realism the art team tried to create, but this chalice isn’t part of the plot (as chalices are wont to be). It’s just a nice looking ancient cup. I probably ran past it at top speed without ever noticing.

I play games to be immersed, but when that immersion happens, I give the credit to the writers who created the story and the actors who brought the characters to life. Maybe I spare a thought for the programmers who actually built the thing and maybe, maaaybe I think about the art team when I appreciate a well crafted character model or a pretty forest. But when you see just how much care, just how much craft and attention to detail goes into all of this, even a little cup that’s just a setting detail, it makes you appreciate how absolutely spoiled gamers are when it comes to our digital worlds. There’s an entire world of art around every moment and for the most part, we just treat it as window dressing as we focus on the shoot-shoots and the booms.

If you’ve played Rise of the Tomb Raider, I recommend picking up this book from your local library and paging through it, giving the artists a few moments’ consideration for all the work they did. We appreciated it, even if we were running by their work too quickly to notice.

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Review: American Savage: Insights, Slights, and Fights on Faith, Sex, Love, and Politics

American Savage: Insights, Slights, and Fights on Faith, Sex, Love, and PoliticsAmerican Savage: Insights, Slights, and Fights on Faith, Sex, Love, and Politics by Dan Savage
My rating: 5 of 5 stars

For the avid Savage fans out there, this book might be unnecessary. If you’ve read Savage Love religiously, if you’ve read all of his other books, if you’ve followed his work very closely, you may not feel the need to pick this one up. There’s a feeling early on that there isn’t as much “new” stuff here, that these are topics and discussions that Savage has covered before. The subtitle for this book might be “the complete Dan Savage primer.”

And yet, even if you’ve read the entire Dan Savage canon, I still think this one is worth your time. Savage’s writing style is just so crisp, so compulsively readable, that his books are a pleasure to work through, even if the topic is deeply serious.

Of particular interest to me were the chapters about growing up Catholic (I can relate to that) and his experiences when his mother passed away (which, fortunately, I can’t relate to yet), the latter of which prompts some thinking on the death with dignity movement and physician assisted suicide (both of which I support whole-heartedly).

There’s so much more to be enjoyed, however. I love his frank style. I love the practical approach to sexuality. At one point in the book, Savage describes a particular piece as “the kind of discussion you’d have with someone after a few glasses of wine.” I think that’s a perfect description for the book as a whole, as wine-fueled discussions can be serious, deep, silly, opinionated, intense, thoughtful, and everything else one can imagine, but never boring.

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Father’s Legacy: A Fallout 4 Fan Fiction

I haven’t written fan fiction in many, many years, but over the past few months I’ve been playing quite a bit of Fallout 4. To finish the game requires making some pretty big choices and unlike most roleplaying games, there isn’t an obviously good or evil ending. I spent a lot of time thinking about what I wanted to do and why I wanted to do it. Although the game ending doesn’t reflect any of the thought I put into my choice, I couldn’t get all that contemplation out of my head. It just continued to swirl around and around in my thoughts. I decided I’d write it all out, if only so I’d stop obsessing over it and from that effort, my first piece of fan fiction in over a decade was born.

Needless to say, there are huge spoilers for the story of Fallout 4, so be warned. I also can’t promise that I created something easy to follow for those that aren’t familiar with the game. I didn’t write this with the intention for anyone to read it, so your mileage may vary. Despite all of that, I rather enjoyed what I made after I read through it and it’s interesting enough that I decided to share it here.

Once again, spoiler warnings for pretty much the entire main storyline for Fallout 4 and further warnings that it may not make sense if you aren’t familiar with the game. If you’re still interested, the story begins after the jump.

Continue reading “Father’s Legacy: A Fallout 4 Fan Fiction”

Review: Primary Colors: A Novel of Politics

Primary Colors: A Novel of PoliticsPrimary Colors: A Novel of Politics by Anonymous
My rating: 3 of 5 stars

Until the halfway point, this was a 4.5 star book. I’d just seen the movie of the same name recently so I was interested in reading the book to compare the two. I was also hoping the book would provide more insight into some of the characters’ decisions.

I was impressed by how faithfully the movie recreated scenes from the book; this might just be one of the best book-to-film adaptations I’d ever seen, which is even more impressive when you consider the context in which it was created; the mid-to-late 90s were rife with a lot of failed adaptations.

It’s rather fun to try and guess which characters are based on real people (and there’s a handy list for you to check your work). And the characters here are strong and interesting . . . at least at first. But where things go wrong is, perhaps not coincidentally, where the book and the movie versions diverge. The movie paces the book almost perfectly until the middle point, then skips over a lot of plot to leapfrog right to the big finale. Frankly, this was a good idea.

The book started to lose me around the time the main character had an affair with Susan (based on Hillary Clinton) and other . . . I guess you’d call it plot wandering? The plot and characters that was so taut and relentlessly paced seems to derail as Henry’s angst overwhelms any further direction. Unfortunately, it’s not something that resolves quickly enough and so the closing act drags until the big finish.

There’s also this weird thing about how faithfully the characters resemble the people they are based on and how some of the events very closely resemble things that really happened (such as the Cashmere McCloud/Gennifer Flowers scandal) but other ones are wildly fanciful (I don’t recall anyone in the primary dropping out due to a heart attack, then having his replacement drop out due to a drug scandal).

On the one hand, you recognize that a novel can be fantasy and that the real story of the 1992 presidential campaign didn’t have quite as many fun twists and turns. On the other hand, when you mix reality with fantasy so thoroughly, it creates a distance between the text and the reader, because now I’m not sure what to do with any of this material. I can’t dismiss everything, because some stuff is based on truth. But I can’t believe everything, because some of it is so obviously made up. It started out fun, at first, but eventually it just felt like homework.

So we’re left with a decidedly odd review at the end. On the strength of the characters, their dialogue, their interaction, and their sheer presence on the page, we come to 4.5 stars, maybe even 5 stars. Which is a really good thing, because this novel is almost entirely in dialogue.

On the other hand, the weirdness of some of the plot aspects and the sagging third act meant that after a roaring start, I found myself procrastinating on finishing the book, which means even with such wonderful characterization, the love/hate split I felt leaves me with a respectable, though not amazing, rating of three stars.

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