Taking Creative Risks, Or, Matt Considers Giving Away His Book

I started writing when I was about fourteen. I decided I wanted to write a novel and made two of the half-hearted attempts a young teenager makes when attempting a lofty goal. First, there was a horror novel about a serial killer who skins people alive that I called The Fur Trapper. I hadn’t yet seen Silence of the Lambs, so the comments about how it sounds just like that movie mystified me at the time. I think I wrote about two chapters, with each chapter being under five pages. Then there was a fantasy novel titled The Dragon’s Amulet that I never actually got beyond the conceptual stage, but I assure you, had it been written it would have included all the clichés and tropes of the high fantasy genre since that’s exactly what I would later do when I did write a book.

In the summer of 2002, I was deeply addicted to the video game Elder Scrolls III: Morrowind. The game had such a deep and complex lore that I couldn’t help but be inspired; I wanted to tell my own stories in that universe. I started writing about the backstory of my character, the dark elf assassin Ardryn (although, in the interest of honesty, the name Ardryn came later; originally he was Jango, having just seen Star Wars Episode II. What can I say, I was a teenage boy at the time). I worked on my story until it hit about fifty or sixty pages, which was far longer than anything I’d ever created. I wanted to do something more with it. I wanted it to be more than just fan fiction. I wanted it to be my own novel.

So I went back and took out all the details from the world of Morrowind and replaced them with a fantasy world of my own devising. It still ended up looking exactly like every other fantasy world, as it was a world of magic and wilderness with a snowy, inhospitable northern realm ruled by the evil frost elves who were constantly at war with the forest elves of the south. There was also an evil artifact and a good artifact that were in constant opposition to one another. And a prophecy. And a love interest. And so on.

That story became my first novel, Of Dawn and Dusk, (which, yes, sounds more like a romance novel than a fantasy book). I actually completed a roughly 90,000 word manuscript and sent it to exactly one publisher. It was rejected, of course. I wrote about 70,000 words of a sequel and had some notes and rough chapters for a prequel, but the years wore on and the story that I wrote when I was fifteen no longer enamored me as it once did. So I decided to abandon it.

Eventually, I would pick up NaNoWriMo as a thing and on my second attempt, I completed a 50,000 word draft that I would then spend another six months working on until I had a 125,000 word completed story. This novel is my story of fallen angels and the Apocalypse and the title is Unrepentant. Because it began life as a NaNoWriMo, however, large parts of it were completely terrible and I spent the next few years revising that draft while working on other NaNo projects and basically continuing a tradition of starting projects but never seeing them through to completion.

Why am I telling you all of this? There are a few reasons.

First, it occurred to me that, outside of the critiques I did during my Creative Writing degree, I can count the number of people who’ve read any of my novels on less than two hands, and that sounds impressive until I mention that the total number is about six, so I’m really not even using that second-hand. I’d like to say that my reason for showing so few people my work is because I don’t like showing work before it’s done; certainly, my many drafts and projects are in rough shape and need proper editing before they deserve to be shown.

Except that’s not entirely true, either.

I finished Unrepentant last summer. I completely rewrote the novel and stripped out tons of stuff that was messy, wandering, or just plain bad. I streamlined the text, trimmed up the story, honed it as best I could and sliced down my 125,000 word first draft into a trim, sleek 90,000 word second draft. I finally considered it worthy of trying to publish and so I’ve been sending it off to agents ever since. My last submission before I lost momentum was in January or February and it was the tenth time it’s been sent out. Since I’m not currently plugging a book deal here, you can surmise that it was never picked up.

Here’s the thing. I don’t know if I have it in me to publish Unrepentant. Publishing a book is hard. It’s really, really hard. You need to know a lot about who you’re writing to, who the market is, how to sell it, who might like to read it, and so on. And that’s the thing; I don’t really know who Unrepentant is for. It’s a book about angels and demons and fallen angels and the Apocalypse, but it’s not a Christian Fiction book, because I don’t talk about Jesus. But I also started it during a time when I was fascinated by Paradise Lost and John Milton, so it has those vibes far more than it does an urban fantasy or paranormal romance. I don’t know who’d want to buy it, even though I think it’s pretty good.

Originally, I’d decided to just shelve it and make it yet another trunk novel. Trunk novels are those works that writers complete but then abandon, locking them in the bottom of the trunk because we can’t bear to delete or throw away something that we worked so hard on, but also can’t or won’t try to release. Sometimes, trunk novels are better than their author’s give them credit for and end up getting published later on; Stephen King penned a trunk novel under his pseudonym Richard Bachman that was eventually published as Blaze, which was really good.

So Unrepentant is a trunk novel. And I’m off to new things; I’m really focused on my cyberpunk novel because I feel like I have a lot to say and I have a lot of knowledge about what I’m talking about in a way I don’t with fallen angels and such.

But I keep thinking about the fact that no one ever reads what I write, because I don’t give them the opportunity. Because I don’t give anyone the chance to read what I write. And my reason for doing so is based on fear; if you don’t ever get a chance to read my work, you can’t hurt my feelings by hating it. I’m immune from criticism. I’m safe.

I think that safety is one of the enemies of creativity. When people talk about creativity as a scary thing, this is what they mean. It’s putting yourself out there, stripping away all the armor, lowering all the defenses, and allowing people to shit all over something that means a lot to you. And not fighting back. And asking for this to happen over and over again.

Or at least . . . that’s what the Dark Voice tells me. I’ve mentioned the Dark Voice before; he’s the guy that started talking to me around the beginning of middle school and never went away. He’s the person on my shoulder reminding me of every possible insecurity, every possible mistake, every single failure. He’s not my Inner Editor, because the Inner Editor is at least trying to be helpful by making my work better, even if he’s killing it in the process by preventing it from being born.

No, the Dark Voice is mean and hateful and nasty and wants very much to make sure that I fail and that I’m miserable and that I don’t ever listen to anything other than him. He’s all the anxiety and depression I’ve ever felt in my life. It’s the entity that takes root inside your head when you grow up a little strange and you realize you’re not cool or popular and you’ve never going to fit in, not really.

The Dark Voice is the reason that I can be funny around other people; it’s the reason why sarcasm and dry humor are my default responses, because if I make people laugh at something I do, then they can’t laugh at me. Laughing at me only proves that the Dark Voice is right.

I really don’t like the Dark Voice.

And I think that putting Unrepentant in the trunk is listening to the Dark Voice. I think it’s a good book. I learned a lot writing and rewriting it and I put a lot of effort into it. But I also don’t want to focus on the same project forever. I want to move on to new things so that I can keep growing. And right now, that means setting my old work aside.

But here’s the thing: I also have this blog here. And even though I tend to disappear for weeks at a time, my blog is never out of my thoughts. I’m always wishing that I had more to post, more to say, more to do here. And I have a novel that I’d like to allow people to read, if they wish. And slowly, I begin to imagine a solution.

So, here’s what I’m thinking right now: I’m going to start posting chapters of my novel here on my blog every Friday. Since the book is already done, once the updates are scheduled to roll out, I can move on to the next project while these pieces are released. I don’t have to worry about schedule slip (the bane of so many serials and webcomics) because the entire story is already finished.

Originally, I thought about just posting the entire book as one big file and inviting anyone who wants to have at it. But I also know that I wouldn’t read that if someone else did so, because in the past when blogs I do read have released books for free, I didn’t read them. There’s something about seeing the entire work posted all at once and getting intimidated by it, thinking about how much time it will take to get involved. It’s why I’ll never start watching a show on Netflix these days if it has more than two seasons, because the time investment is just too much.

But a chapter a week, released as a blog post? That doesn’t take much effort to dip a toe in. And maybe that will be enough to spark your interest. And if not, that’s okay too. Honestly, I don’t really know why people keep reading this blog, even though WordPress assures me that you’re all out there. It’s not going to hurt my feelings if this doesn’t catch on. It’s just something I’d like to try.

The Patreon account is the second part of this idea. Patreon is a little different from Kickstarter, which you’re probably more familiar with. In Kickstarter, you back a project and pledge some money to help fund it, and you get charged if the project reaches its funding goal. This, then, gives the creator the funds needed to get a project created, the idea being that it couldn’t exist without those funds.

But for me, the blog is already online and the book is already written. So I don’t need funding to make anything. Instead, it’s a way for me to find out if it’s worthwhile to release fiction in this manner. For so many years, I’ve had my eye on the traditional publishing route as the only way to release my stories. And don’t get me wrong, I still desperately want to secure a traditional publishing deal, at least once in my life. But I also want to focus more on creating and sharing work, even if only five people ever read any of it.

The Patreon model is, as its name suggests, a patronage system. A patron who wants to support a creator pledges a small amount of money each month (I’m imagining something like a dollar a month, with the book’s run taking about two or three months to be released fully). At the end of the run, if there’s been any interest in this model, I’m thinking about doing some more stuff, such as recording the book as an audiobook or releasing it as an e-book on my own. A lot of this is me thinking out loud right now, coming up with ideas as I type. But here’s the bottom line: think of it as a tip jar. I’m going to release my novel here on my blog for free, for everyone. If you read it, if you like it, if you think it’s worth it, consider pitching me a dollar.

This won’t create the kind of money that will allow me to skip having a day job. But if I make a dollar off this, I’ll consider it a success. If I make fifty dollars, my story will have paid for my website costs for an entire year (domain registration and keeping my blog ad free, which is something very important to me as a personal and philosophical point). That’s enough of an enticement for me to try.

And if it doesn’t work? I’ll have the knowledge of knowing that I took a risk, tried something new, and didn’t let the Dark Voice win for a while. And that’s a win for me no matter what the Dark Voice says.

So look for details for the Patreon account in a day or two, once everything is all set up. And get ready for the first chapter (or chapters) of my novel to go up on Friday.

Taking creative risks. That’s what it’s all about.

Thanks for reading.

What I’ve Been Doing

After faffing about since 2009, I finally knuckled down and took the final stop in the novel writing process.

I wrote a query letter. It was about 250 words and it took me the better part of an entire afternoon.

And then, despite the hammering of terror in my chest, I looked at the list of prospective literary agents I’d put together and actually sent the query letter and a sample chapter to one of them. I had to force myself to hit send, but that doesn’t matter! What does matter is this; I took the big flying leap of faith on the road to publishing my novel.

I’m 100% certain I will be rejected.

But that doesn’t matter, because I finally did it. I sent it out there. It’s out there in the universe now.

In time, I’ll either get a rejection response or I’ll get no response, and I’ll move on to another potential agent. And then another. Because that’s what you do. The process will repeat, on and on, until eventually I have a published work in my hands that I can point to, admire, and feel proud about.

And maybe someone will ask me to sign a copy and I’ll feel absolutely amazing, even if that’s the only copy that I ever sell. And even if nobody ever asks me to sign it, I’m pretty sure I’ll be able to convince my local public library to buy a few copies and then I can have the surreal experience of checking my own book out of the library. And won’t that be awesome?

Yes. It will be.

Winter Is Coming Much Too Quickly (And Also Not Quickly Enough)

The first season of Game of Thrones premiered on April 17, 2011 while A Dance with Dragons, the fifth book in the series, was released on July 12, 2011. A Dance with Dragons was published six years after the last book, A Feast for Crows. Almost immediately after the release of book five, we nerds began doing the math.

The first two seasons of the HBO show clocked in at one book per season. Things slowed down by season three, which didn’t quite make it through the third book. But even if book three lasted for two seasons and that trend continued with books four and five, that still only gave us seven years at most until the HBO show caught up to the books.

In actuality, that number is probably less due to the way the stories in books four and five are structured. It’s likely that they won’t be able to do two seasons per book (which would give us four seasons’ worth of content total.) If we assume that books four and five will be covered in two seasons’ worth of show, that drops our time estimate down to five years from the start of the show until it overtakes George’s writing. Considering how long A Dance with Dragons took (six years) and the fact that even if book six generates two seasons worth of show, that doesn’t leave much time for George to write book seven. In fact, it’s looking increasingly likely that the show is going to overtake the books and it’s something that Martin himself is aware of:

In the new Game of Thrones feature in Vanity Fair, Martin confesses that the show is catching up to his writing speed,something he had sworn wouldn’t happen. Says Martin, “They are. Yes. It’s alarming.” (Already, our panel of experts has speculatedthat season five, airing next year, could end with events from The Winds of Winter, the book Martin hasn’t finished yet. Warning: link contains spoilers.)

But now that the danger of the show catching up to Martin’s books seems more extreme, the producers have gotten Martin to spill way more detail about how he intends to end the story for every single major character.

I’m a book fan first and a show fan second. I love the show, I love the spectacle and the acting and the music and all the entertainment that comes out of a great television production, but A Song of Ice and Fire is still a book series and in my opinion, it deserves to be completed first as a book series.

I think it would be heartbreaking if the HBO show eclipses the books and we find out how the story ends not from the pen of the man who’s been working for almost two decades to bring it into the world, but from the notes passed along to the show’s creators.

It would damage my enjoyment of the books considerably if the show already revealed what happened first. That’s not something that happens when you’ve read the books first. When you’ve read the book first, it’s fun to see how the show actualizes the characters and the world that exist in your mind. It’s less fun when the book itself starts to become an afterthought.

Something like that happened with Dexter. How many people even knew that Dexter was based on a book? Probably not many. Even worse, the show completely outclasses the book series that it’s based on. It feels like the author is trying to play catch up with his own television version. This analogy might not hold true to Game of Thrones since I believe that Martin is a superior writer who has created a superior story, but I’d also argue that Game of Thrones is a superior show to Dexter in its own right, which makes for stiffer competition against its parent material.

Really, there’s only one thing that I can suggest, one bit of advice I have for George on how he can keep our nerd hearts from getting broken and it’s advice that, conveniently enough, has already been set to music:

Getting Back To It

The difficult part about the end of December is that the multiple of holidays rolling into one another tend to create a feeling of inertia that makes it difficult to return to normal. But now the holidays are well and truly over; it’s long past time for the fake tree to come down and get stuffed back into its box for another year. Time to dust off the blog and think about what I want to say.

Originally, I planned on doing a post about what 2013 meant to me. A lot of people are going on the record as saying that 2013 was the worst year ever. That might be true for them; I don’t think it’s true for me. 2013 had its ups and its downs, although overall, I think there were more ups.

What will 2014 be? I’m hoping it will be a good year. I’m going to try and publish my book (at long last). I have a few other writing and editing related opportunities that I can’t discuss in detail (out of respect to the privacy of the client) but that have me very excited. I cashed my first check that I earned from editing last week and it was glorious.

The urge to spend it all on a new laptop instead of building up my ravaged savings account was almost overwhelming. Right now, the desire to save is winning . . . but we’ll see how long that lasts.

One thing I’ve been discussing with myself is the direction I want to take the blog. Over the past year, I tended to write about whatever struck my fancy . . . and that included a lot of political and opinion posts. I’m uncertain whether I’ll continue that trend. It did provide me with something to talk about but it also meant that sometimes I went looking for things to get annoyed at just so I could have something to write about. I think that tendency skewed much of my writing towards the Cynical end of the spectrum. If 2013 was the Cynical year, I feel compelled to make 2014 the Idealist year.

Expect posts about adorable kittens and puppies falling asleep EVERY DAY. Ye be warned.

My “You’re Not An Introvert” Moment Of The Day

I’m an introvert. That should be obvious based on the fact that I’m writing on a blog rather than discussing this in a social context. If you’re wondering how I rationalize my writing out thoughts I know are going to be read by other people, mostly I do it by ignoring the fact that I actually have readers. In my mind, I’m always talking to myself.

Susan Cain’s book Quiet: The Power of Introverts in a World that can’t stop Talking was one of the best books I’ve ever read. It helped me understand and reconcile two very different aspects of my personality. I recommend the book to everybody I know, both introverts (in order to better understand themselves) and extroverts (to better understand those of us on the opposite end of the spectrum).

The book club that meets at my library is going to be discussing Quiet at next month’s meeting, so we have a large stack of copies at our information desk for people to check out. For the most part, people are either interested in the book or else have already read it. Today, though, I had a little exchange that really raised my eyebrow (and to be honest, a bit of my ire):

Person: “Is this next month’s book club book?”

Co-worker: “Yeah, it’s about introverts.”

Person: “Oh, I can’t stand introverts. I really can’t stand them. I don’t like them at all.”

Me: “Well, you know, I’m an introvert.”

Co-worker: “So am I.”

Person: “NO, you’re not. You’re not introverts.”

Me and co-worker: (speechless silence)

Person: “I don’t like introverts at all, because they don’t hold up their end of the bargain in a conversation. You have to do all the talking. I don’t like that.”

Me: “I’m actually a very introverted person.”

Person: “You’re not. You always talk to me.”

Me: “Yes, well, that’s sort of my job. I’m considerably less social on my own time.”

Person: “Well, I don’t think you’re an introvert. You’re not.”

Me: “You’re right. I’m glad you know me so well. Anyway, you should read the book. It’s a great way to understand more about introverts.”

Person: “I don’t want to read that. I don’t care about understanding introverts. I don’t like them.”

And scene.

Also? Sigh.

Jim Hines, Libriomancer, And Admitting That I Was Wrong

You’ll need a bit of background before diving into this post. About a year ago, I read Libriomancer by Jim Hines. It’s a fantasy novel about a librarian who has the ability to pull things out of books: lightsabers, laser guns, the One Ring (probably not a good idea), basically anything that can fit through a book’s dimensions. You’d think I would have loved such a book? Magical librarians? How can that not be awesome?

And, well, it was awesome, for the most part. For most of the book, I was engaged and reading with the sort of hungry pace I usually reserve for Jim Butcher’s work.

However, when I got to the end of the book, there was something that didn’t sit quite well with me and made me feel sufficiently weird that I ended up knocking my review down to four stars. Still a very, very good rating, but not that that sparkling five star I was feeling for most of the book.

Why did I do this? Well, there was this character in the book: Lena. She was a dryad who was created from a book. She was depicted as intensely sexual, beautiful in a non-traditional way (much more curvy than your typical rail-thin love interest) and in the end of the book, she and the main character ended up in a three way M/F/F relationship with Lena’s previous lover serving as the second F.

I admit, that all seemed weird to me. I admit that for all of my progressive thinking, for all that I support and believe that gays, lesbians, bisexuals, transgenders, should be free to love whomever they desire . . . the idea of this three person relationship felt odd to me. More than that, it felt exploitative. Everything about Lena’s character felt like it was catering to the author’s own personal kinks and tastes. This was just another fantasy author writing out his own personal fantasies. More powerful, sexy women that exist to serve male tastes. Sigh. I decided I wouldn’t read more in the series.

I was wrong. I was wrong about all of that.

Regular readers know that I’m a huge fan of John Scalzi. He’s in my personal geek pantheon; if he’s attending a convention, that’s a reason for me to want to attend that convention. I have signed copies of several of his books. I read his blog. I might have a mancrush on him. Okay, yes, I do have a mancrush on him.

He has a regular feature called The Big Idea where other authors can talk about their new books. Some of them are interesting, some of them aren’t to my taste, some of them have made me go out and get the book as quickly as possible. It’s a cool way for Scalzi to use his blog’s popularity to help other authors find an audience.

So today, a new Big Idea post goes up and it’s about the sequel to Libriomancer. Hmm, I think. Jim Hines. Oh, right, the book with the dryad and the three-way at the end.

But then I started reading. And when I was done reading, I realized that all my earlier impressions had been completely wrong. What I had taken to be more of the same fantasy exploitation of women was the complete opposite, was in fact a critique of those same exploitative depictions. I’m was like the kids in my high school lit class who were outraged when we read Jonathan Swift’s A Modest Proposal because they didn’t realize it was satire.

Hines isn’t one of those fantasy authors out there creating more fantasy women to cater to his own male gaze. He’s the opposite. He’s giving talks on sexism in fantasy and posing in sexy dresses to raise awareness for these gender issues. In short, he’s one of us. And I never even realized it.

Reading about what Hines is trying to do with his character, both in the new book and in the first one, made me go back and take a hard look at why I felt the way I did with Libriomancer. It made me wonder why the M/F/F relationship at the end bothered me. What I realized is that I’m not immune to feeling prejudice towards things I don’t understand and this was something I didn’t understand. I was reacting just as a homophobic individual would.

I’m sorry that I judged Hines and his book too quickly. I’m sorry that I didn’t think more critically about the book. But I’m glad, too, because this experience made me reconsider my own thoughts and examine a bit of prejudice I didn’t know I had.

And all of that is good, because it’s how I grow. It’s how I learn.

Jim Hines’ book made me learn and grow. It’s not his fault it took me almost a year to actually figure it all out.

I’ll definitely be picking up his new book when I get home. And I retroactively have added back Libriomancer’s long overdue fifth star.

What Do You Do When A Black Mamba Bites Your Leg During A Photo Shoot

If you’re professional photographer Mark Laita, you keep calm and take a picture of the entire process, thus securing not only an amazing shot but also proving your iron will and sheer testicular fortitude.

Laita’s new book, Serpentine, arrived for me in the library today and I could not be more excited. It is, without a doubt, the most beautiful collection of snake photographs I’ve ever seen. This is a book that I need to own, not just so I can admire the intricate beauty and color of his subjects, but also because any man willing to endure this for his art is a man who deserves my money.

black mamba bite
Damn it, I knew I should have worn jeans today.

In case you were wondering, it only takes about 10 to 15 mg pf venom to kill a human adult and the mamba’s bite delivers about 100–120 mg of venom on average.

So, you know, God help you if it bites you.