Thoughts On Losing Hands In Fiction

What’s this? A post that isn’t a novel update? How . . . novel.

Jenn and I having been going through the Walking Dead on Netflix; first time viewing for her, second time for me until we finish season four. We’re also reading the graphic novels as we finish each season to see how the story is different. I was always spotty on the graphic novels, having read them somewhat out of order and without any completionism before, so I’d forgotten how many things happen on the show that don’t happen in the books.

Spoiler warning for those that haven’t read up through Walking Dead book three of the collection (which I believe is issue #36), as well as several other series (The Dark Tower, Game of Thrones, and Star Wars).

Continue reading “Thoughts On Losing Hands In Fiction”

The Trouble With Long Books

I read for a lot of reasons. One of the stranger reasons I read is because of how much I like entering my reading into my Goodreads profile. You enter the books you’ve read, when you’ve read them, give them a rating and a review (if you want). Basic social media stuff, but that’s now why I love it; I love it because of what Goodreads does with all that data after you enter it.

I love how the data get arrayed out into neat bars and stats based on how many books you’ve read in a year, how many pages, when you’ve read the book versus when it was published, and what the longest book was that you read for that year. Basically, these are stats for a nerd, the way a baseball player might be concerned with improving his batting average or a runner might want to improve her best times. Suddenly, I want to read so I can fill my bars and I want to read a lot, all the time, even if I don’t really feel like it because I have to keep filling those bars. This is also the neurotic motivation I have for gathering Achievements for my Xbox Live gamertag, incidentally.

And hey, as long as it all motivates one to read more books, what’s the problem?

Well, the problem is that when you set a reading goal for the year, and if you really focus on hitting it, you very quickly turn into a mercenary about what you’re reading. Sure, you could be reading Infinite Jest right now (which I am) and it could strike you was one of the best books ever written (which, thus far, it does) but it still only counts for one book. It’s over a thousand pages long yet it only moves my “books read” bar up by one tick. It’s over a thousand goddamn pages. I could read three average novels in the same time period!

There was one month (May 2013, according to Goodreads) where I did nothing but read Shogun by James Clavell for almost the entire month! And sure, it was one of the finest books I’ve ever read in my life and absolutely compelling, but an entire month was spent on one book! What about my bars? I have bars to fill.

Sure, there’s the fact that the graph also tracks the longest book that you’ve read, but that also has a flaw: what’s the point of reading a thousand page book if you’ve already got a 1100 pager on that graph? I have Neal Stephenson’s Anathem sitting patiently in my “to read” stack, but what’s the point? That shit only clocks in at a mere 937 pages, which makes it too long for me to stay on track with my monthly book goal, but too short to make “longest book of the year that I read.”

So, what, I’m left with the joy of reading? Maybe I want to marvel at a masterpiece of speculative fiction from a writer who cosistently delivers interesting and intelligent work that always impresses me? Maybe I just want to read something great for the joy of reading?

Fuck that, man. I got bars that need fillin’.

I Still Prefer Books (And Science Agrees With Me)

There’s probably something odd in blogging about the superiority of the physical page as compared to the digital screen. I don’t particularly love eBooks; as I have enumerated before, I don’t own a tablet or eReader of any sort so my experience is limited to reading on my smartphone. And that’s not terribly enjoyable.

Overall, I’d estimate that out of the 125 books I read last year, about 100 of them were physical, 20 were audio, and the remaining five were electronic text.

Fortunately for me, science suggests that from a neurological perspective, this is the preferred way to read:

The debate between paper books and e-readers has been vicious since the first Kindle came out in 2007 . . . But now science has weighed in, and the studies are on the side of paper books . . . A 2014 study found that readers of a short mystery story on a Kindle were significantly worse at remembering the order of events than those who read the same story in paperback. Lead researcher Anne Mangen of Norway’s Stavanger University concluded that “the haptic and tactile feedback of a Kindle does not provide the same support for mental reconstruction of a story as a print pocket book does.”

My own experiences support this. I recently finished Neal Stephenson’s Cryptonomicon and I read it entirely on my smartphone. I noticed one particular advantage: my book was always in my pocket which otherwise wouldn’t be possible given that Cryptonomicon, like almost everything Stephenson writes, is around 1,000 pages. I was able to read pretty much everywhere I went which really helped rack up some extra reading time throughout the day.

But I can tell that I didn’t absorb it as fully as if I’d been reading a physical version. It’s easier to skim on a screen. You scroll through the text and “psuedo-read” what’s there, seeing without comprehending.

As we increasingly read on screens, our reading habits have adapted to skim text rather than really absorb the meaning. A 2006 study found that people read on screens in an “F” pattern, reading the entire top line but then only scanning through the text along the left side of the page. This sort of nonlinear reading reduces comprehension and actually makes it more difficult to focus the next time you sit down with a longer piece of text.

I noticed the “F pattern” creep into my reading experience. It certainly didn’t help my comprehension, even if it did improve the speed at which I plowed through the book (but since I’m reading for my own pleasure, what’s the point of going so quickly that you don’t realize what you’re doing?)

I also noticed that the “F pattern” effect began to recede as soon as I returned to a physical book. My focus was much sharper.

I have another mammoth Stephenson tome sitting in my “to-read” pile (Anathem, if you’re curious) and it will be interesting to see how the experience compares; two very long works by the same author on the different formats.

I Read Harry Potter At An Impressionable Age (Which Is Why I Voted For Obama)

I absolutely love this story that was making the rounds through the feeds of my more literary-minded friends and colleagues (which is pretty much everyone that I know.)

Are you a millenial? Did you read Harry Potter at a formative age? DID YOU VOTE FOR BARACK HUSSEIN OBAMA?! If so, you are proof that we’ve all been brainwashed by one J. K. Rowling.

Harry Potter is a liberal plot! Observe:

The seven Harry Potter books by JK Rowling might have played a significant role in President Barack Obama’s 2008 election victory, a new study claims.

The Millennials — people born after 1980 — were brainwashed by the Harry Potter books, which chronicled the life of a young wizard and his friends, Anthony Gierzynski, a University of Vermont political science professor, said in his study.

“The lessons fans internalized about tolerance, diversity, violence, torture, skepticism and authority made the Democratic Party and Barack Obama more appealing to fans of ‘Harry Potter’ in the current political environment,” Gierzynski said, according to The College Fix.

The fantasy series helped Americans develop a better understanding of diversity and instilled a positive attitude towards tolerance, his research found.

 This logic is unassaible. Here, take a look:

Fact One: Young people read a lot of Harry Potter.

Fact Two: Young people voted for Barack Obama in large margins.

Conclusion: Harry Potter is the reason young people voted for Obama.

There’s clearly no other possible interpretation of this data. It has to be those durn magical books and not the fact that the Republican party is growing increasingly removed from younger generations as its most far-right fringe elements dominate its perception.

I especially like the study’s claim that Harry Potter is responsible for “tolerance, diversity, violence, torture, skepticism and authority,” and that “the fantasy series helped Americans develop a better understanding of diversity and instilled a positive attitude towards tolerance.”

So, basically: kids read Harry Potter and they appreciate diversity. They tolerate people who are different from themselves. They are skeptical of authority. They are critical of torture (Harry getting tortured by Voldemort are some of the series’ darkest moments).

In other words, these kids are NOT Republicans. The article doesn’t specificy which party Voldemort would join, but then again, with the Dark Lord’s obsession with “bloodline purity,” it’s really not hard to imagine where his political affiliations would fall.

Personally, I think the Republicans should just run with it at this point. Get your 2016 presidential candidate out there sporting the Dark Mark and court the Slytherin vote. Print out some Voldemort Votes Republican bumper stickers, except not as a joke.

That, or change the perception of your party away from “the party of authority, intolerance, and torture.”

Should Rowling Stop Writing? Spoiler: NO

A writer named Lynn Sheperd has committed the cardinal sin of speaking out against one of the gods of writing: J. K. Rowling. Even more shocking, Shepherd did it in public, where other people could hear (or read) her!

Audible gasp!

The rules of talking about the gods of writing have always been thus; if you’re a writer, you CAN criticize the gods of writing, but only if you are also a god of writing. Thus, Stephen King can talk trash about Rowling (although he’s on the record as generally loving her). James Patterson can talk trash about Stephen King (although actually it’s the other way around).

Here’s Shepherd’s reasoning for why Rowling needs to stop after unleashing the Casual Vacancy and the Cuckoo’s Calling on the publishing world:

It wasn’t just that the hype was drearily excessive, or that (by all accounts) the novel was no masterpiece and yet sold by the hundredweight, it was the way it crowded out everything else, however good, however worthwhile. That book sucked the oxygen from the entire publishing and reading atmosphere. And I chose that analogy quite deliberately, because I think that sort of monopoly can make it next to impossible for anything else to survive, let alone thrive. Publishing a book is hard enough at the best of times, especially in an industry already far too fixated with Big Names and Sure Things, but what can an ordinary author do, up against such a Golgomath.

I believe that I understand what Shepherd is talking about, if only because I remember the seething jealousy I used to feel when I was getting into writing myself.

It wasn’t just about comparing myself to every other person I met who told me “I’m a writer” or “I’m working on a novel” or whatever; comparison was part of it, the worry that their writing was better than mine. It was a competitive sort of hate, a feeling that every time one of my fellow neophytes managed to score a publishing deal, they weren’t just succeeding on their own merits. No, my seething jealousy was due to the fact that I believed they were sucking up publishing contracts that were rightfully mine.

Never mind the fact that I wasn’t submitting my work to the same market or the same agent or the same publisher. In my logic (and I use that word loosely), there were a finite number of book publishing deals in the world and every time someone else succeeded, it made my own chances go down. Even though it’s technically true that there are only a finite number of publishing deals in the world, my reasoning is still flawed and I was silly to have believed such a thing.

Fortunately, I’ve gotten over this particular mental peculiarity as I’ve gotten older.

Shepherd feels that writers like Rowling “suck the oxygen out of the room” via the sheer impact Rowling’s work makes when it arrives on the scene. Any other poor book that’s out there at the same time is capsized by the waves made as Rowling’s gorilla jumps into the pool. And maybe this is true for those books published right around any of the behemoths unleashed by the gods of writing.

On the other hand, do we want to see a publishing world without the gods of writing? Rowling might not be good for those first-time authors trying to get noticed, but she is DAMN good for the health of the publishing industry as a whole. Names that get people to remember why they like books and why they like to buy books are names that get people into the stores or onto Amazon or whatever. Simply put, without Rowling (and those like her), publishing as a whole suffers.

The general public has a notoriously fickle attention span and I don’t think a publishing world filled with nothing but scrappy up-and-comers is going to be enough to remind the consumer why he or she likes to buy books. The best case scenario is when the consumer heads to the bookstore (or the library!) for the new Rowling (or Patterson or King) and picks up the new title by their favorite and also decides, “hey, this other book looks interesting” and adds it to their stack.

I used to do this all the time as a kind when I’d roll into the bookstore with my $50 gift card.

I don’t actually agree with Shepherd that Rowling is bad for new writers. I happen to believe that evolutionary pressure applies to writers and their work, and if you’re writing into a market dominated by gods, that inspires you to dig deep and create the very best book you can manage. But even if Rowling is bad for first-time writers, she’s good for the health of publishing as a whole. I’ll happily deal with a turbulent month of sales (or even a torpedo in my own book deal, whenever that finally happens) if it means one of the gods is out there reminding people while it’s still cool to buy books.