Review: Rise of the Tomb Raider: The Official Art Book

Rise of the Tomb Raider: The Official Art BookRise of the Tomb Raider: The Official Art Book by Andy McVittie
My rating: 4 of 5 stars

This absolutely beautiful book managed to make me feel surprisingly guilty.

I loved Rise of the Tomb Raider; it’s a worthy sequel to the 2013 Tomb Raider reboot (which I also loved). This book is, as you might expect, a collection of concept art and design documents that led to the creation of the game’s characters and environments.

The reason why this beautiful book made me feel so guilty is because it shows you just how much care and detail went into the environments and backgrounds that I cruised through as I jumped from one ledge to another on my way through the game. I love the Tomb Raider games and I get totally immersed in the world when I play . . . and yet I never spare more than a passing glance at the lovingly crafted ruins, relics, and other pieces that artists worked to create. There’s a page about a few chalices and other Byzantine relics that talks about how much realism the art team tried to create, but this chalice isn’t part of the plot (as chalices are wont to be). It’s just a nice looking ancient cup. I probably ran past it at top speed without ever noticing.

I play games to be immersed, but when that immersion happens, I give the credit to the writers who created the story and the actors who brought the characters to life. Maybe I spare a thought for the programmers who actually built the thing and maybe, maaaybe I think about the art team when I appreciate a well crafted character model or a pretty forest. But when you see just how much care, just how much craft and attention to detail goes into all of this, even a little cup that’s just a setting detail, it makes you appreciate how absolutely spoiled gamers are when it comes to our digital worlds. There’s an entire world of art around every moment and for the most part, we just treat it as window dressing as we focus on the shoot-shoots and the booms.

If you’ve played Rise of the Tomb Raider, I recommend picking up this book from your local library and paging through it, giving the artists a few moments’ consideration for all the work they did. We appreciated it, even if we were running by their work too quickly to notice.

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Review: Tomb Raider Volume 3: Queen of Serpents

Tomb Raider Volume 3: Queen of SerpentsTomb Raider Volume 3: Queen of Serpents by Rhianna Pratchett
My rating: 4 of 5 stars

I continue to be impressed with the comic series since Rhianna Pratchett took over the writing. It should come as no surprise, as she’s the main writer for the new Tomb Raider games, so it makes sense she keeps the storytelling smooth and seamless between graphic novel and game.

I like that this volume focuses on the deteriorating relationship between Lara and the “normal world” as a result of her experiences. One of the best moments of the 2013 Tomb Raider game was Lara’s horrified reaction to her first human kill; it was a deeply traumatizing and emotional moment and an excellent piece of storytelling. Eventually, the needs of the game mean you’re mowing down enemy mooks with all the concern of a video game character (which is to say, none), but that’s the result of it being an action game.

Here we see that Lara’s experiences continue to evolve her as a character. She’s trying to stay connected to the normal world despite the fact that she’s done and seen things that make her more and more removed from it. It sets things up nicely for why she’s continued to, ah, tomb raid and put herself in dangerous situations despite no longer being trapped on the island from the first game.

A very solid read for anyone hungry for more adventures with Lara. If you have a chance to read this one before going into Rise of the Tomb Raider, I recommend it, but even if you’ve already played Rise, Queen of Serpents is a fun, well written graphic novel that manages to have some surprising emotional depth. I quite enjoyed it.

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Review: Tomb Raider Volume Two: Secrets and Lies

Tomb Raider Volume 2: Secrets and LiesTomb Raider Volume 2: Secrets and Lies by Rhianna Pratchett
My rating: 4 of 5 stars

This book makes me glad that I stuck with the Tomb Raider comic series. After a rocky start in the first volume, things are looking up with a story that does an excellent job of setting the scene for “Rise of the Tomb Raider.” It’s nice to get away from Yamatai and all the plot tangles that storyline created (even if Yamatai was an excellent plot for the first game). The characterization of Lara here is top notch and the sub-plot with Lara acting in a play at Jonah’s request nicely shows how she’s falling out of sync with “normal life.”

My only major quibble was the Trinity operative who was sent to kill Lara, but sort of falls for her instead? To take as an apprentice? It’s somewhat odd, even though I know it fits into the larger storyline that at least a few members of Trinity want to recruit her, considering how effective she is.

Otherwise, this is a great, enjoyable book. I’m glad that the series found its footing and I’m looking forward to the next volume.

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Review: Tomb Raider Volume 1 : Season of the Witch

Tomb Raider Volume 1 : Season of the WitchTomb Raider Volume 1 : Season of the Witch by Gail Simone
My rating: 3 of 5 stars

The 2013 Tomb Raider reboot is one of my favorite games. I loved the revised Lara Croft character and I loved the focus on gritty survivalism. There was a bit of mysticism in the game, but it’s fairly subtle, certainly more so than the previous Tomb Raider incarnations. It’s an amazing game and easily the best reboot I’ve ever seen for a character as popular as Lara Croft is.

“Season of the Witch” serves as a sort of inter-quel story set between the events of Tomb Raider 2013 and the new game “Rise of the Tomb Raider.” In this story, Lara and the other survivors of the Endurance are trying to get on with their lives after their horrifying experience on the island of Yamatai. Unfortunately, weird things are happening which draw them back to the island.

The plot, unfortunately, is the biggest problem here. A story about trying to cope with the events of the island could have been pretty cool, but instead we’re drawn into a conspiracy surrounding the Solarii (the antagonists from the game). Wait, why is there a conspiracy about the Solarii? These business suit types are worshippers of Matthias? How is that possible? Based on the game, Matthias was a survivor who was trapped on Yamatai and formed the Solarii as an island cult so he could break free of its supernatural power. The game made it pretty clear that nobody had ever escaped from Yamatai prior to the events of the game. So where did these conspiracy guys come from? How did they know about the events of the island? Why would they worship a guy who, according to the game’s depiction, was really just a sort of feral survivor?

I appreciated how much the story tried not to be obviously supernatural, and the various things that occur are all suggested to be trickery, coincidence, or other artifice. Unfortunately, I could not wrap my mind around the idea that the homeless psycho who was the game’s antagonist was worshiped by a secret cabal. I also felt like “returning to the island” wasn’t really all that compelling.

Despite all that, it’s great getting to see Lara interact with the crew of Endurance more. It helps build on those relationships and makes her connections feel more meaningful. Overall, it’s a decent book with good characters but some deep plot and world building problems. It’s a good read if you’re really hungry for more Tomb Raider stories, especially since it’ll be a few years until the next game (presumably).

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Video Game Heroines In 2013: One Step Forward, Two Steps Back

Seems like 2013 was a pretty good year for video game heroines. We saw Lara Croft go from being the quintessential video game pin-up character to something resembling a real human woman. Compare:

laraoldandnew

What’s better about the new Lara Croft? Where to start? She’s wearing actual clothes. She’s wearing pants, which, you know, makes sense for an adventurer. Her proportions are realistic! There’s still a sexy vibe about the new Lara, but that’s not the point of her new character. Her design speaks to the kind of athleticism you’d expect from someone who goes on adventurers and climbs and hikes and all that. In short, while she may have sex appeal, she’s definitely not a sex object anymore.

I think this is a step in the right direction for video game heroines. It’s a sign of progress! We’re moving in the right direction, at long last. We’re finally recognizing that 45% of gamers (at least) don’t have a Y-chromosome. 2013 has been a great year in this regard!

And then this happened:

Meet Quiet, the new protagonist for the upcoming Metal Gear Solid 5:

quiet

Sigh.

Underwear? Check.

Prominently displayed cleavage? Check.

Impractically sexy clothing damage? Check.

I can’t think of anything else to say about her character based on this design. She has the same distant, snarky expression of the Lara Croft from the previous decade, the one that says, don’t worry, I won’t be ruining the sex appeal by showing any actual emotion like fear, anger, or determination.

True, this is only concept art and her actual personality might be very different in the final game. On the other hand, I think you can tell a lot by looking just at the concept art. Let’s compare Quiet to 2013 Lara.

laraquiet

Aside from the fact that she’s basically in her underwear, we can see that Quiet’s leggings are torn in several places. Is this supposed to suggest that she’s been through a harrowing survival experience? Maybe, but if so, the fact that everything else about her appearance is flawless suggests that actually, she just likes to wear leggings with big holes in them. She doesn’t look like a warrior. The gun-belt doesn’t communicate anything of the sort; if anything, it just sends the entire design further in male fantasy land. Chicks with guns + underwear = hot.

With the two character designs side by side, you can really see the difference. Lara looks like she’s been through a survival experience. She’s covered in dirt and grime, with several makeshift bandages here and there. Her clothes are torn, but not in a way that’s strategically sexy. Is she still unrealistically beautiful for someone in a life-and-death situation? Yes, absolutely. In “real life,” she’d likely be a lot worse off. But we’re talking about video game protagonists here; male and female alike are allowed to have the “attractive” attribute, as long as that’s not the primary attribute for the character. As soon as you have a character parading around in their lingerie instead of actual clothing, you’ve sacrificed characterization for sex appeal.

Because, let’s be honest: you know what’s really fucking useful when you’re fighting or surviving in the jungle?

POCKETS.

Pants have pockets on them. Hell, even shorts have them. You know what doesn’t have any pockets? Bikinis with ripped lingerie leggings. Huh, imagine that.

Basically, it comes down to the fact that when I look at Quiet, my first thought is “stripper.” When I look at Lara, my first thought is “survivor.” I’m not a woman, so I can’t say which character design would give me a feeling of female empowerment, but I do know which image is more heroic to me. I know which character I’d want my daughter to look up to.

Regardless of hypothetical scenarios, I know which kind of character I enjoy and appreciate more. Evidently, that taste isn’t mainstream yet. I thought we’d come further along than this. Alas.