Man, what I wouldn’t give for a recap page at the start of this volume. Even just a reminder of where everyone was at the end of the last volume, because the plotline has become a thick and tangled web of who wants to kill whom and who is allied with whom to prevent the afore-mentioned killing. But that’s all just a quibble. You can always go back and read volume 5, after all.
Volume 6 is great. It’s a bit lighter than previous ventures, a bit more hopeful, and I think that’s due in large part to the presence of Hazel, now old enough (albeit still in kindergarten) that she has her own voice in the story, not just that of the narrator. There also a few new interesting characters as well, which is great considering how high the body county for this series is.
Otherwise, what is there to say? The art is beautiful and weird, there’s so much non-hetero-normative sexuality that it’s all a delight to my progressive heart, especially when it’s juxtaposed with ideas about family and parenthood.
Mild spoilers for previous volumes: most of all, though, I think I’m happiest to see Alana and Marko working together again. The timeline jumps make it a bit tricky to determine if Hazel’s foreboding narration in a previous volume “that this is the story of how my parents split up” means that the split is still coming or if the troubles they encountered in the previous books were that split; it’s hard to say, but I’m pleased to see them here, working together, even if it’s not going to last.